• Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
  • Impermanence : 諸行無常
Impermanence : 諸行無常

Press reference:
The beauty and the fragility of ACCI BABA’s visual images reminds us of Goya’s Caprichos.
(Süddeutsche Zeitung, Germany Oct. 2009)

We only recognize objects while their order, i.e., shape is maintained. Once the order is shattered into pieces, the object will lose its meaning and be reduced into a mixture of materials; debris (dust). This moment, where the common begriff (concept) of the object loses its meaning, is also the moment where the material information is fragmented and stops being construable. The moment of the physical and perceptual collapse depends on people, wherefore the individual moments and interpretations will not converge to one answer. But among the maxima and the minima of a phenomenon, there exists a “moment” where object is scarcely recognized as an object. When the correlation is derived from the process between the two antithetical phenomena, there emerges a formula. Harmony of nature. It is the moment of resonance amid the chaos. The “moment” of in between.

PATREON
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