An optical-sonic artwork to depict the primordial images of the inner space. A symbol uniting all the opposites were chosen to reflect the rapidly shifting paradigm.These phrases arose during the collaborative creative process;

“A world of endless death and renewal
A snake to symbolize the limit of material

A threshold of cognition
A fool deciphering the illusion

Origin, universe and body
Sun, moon and creator

Archetype, truth, and regression
Time, space and reincarnation

Mysterious synchronicity
Unexplained serendipity

Collinear time axis, Light and darkness
Inevitable coincidence, absolute incidence

Mercurius, the prima materia of the alchemy and unconscious”

—日本語—-

心的世界における原初的な形象を具現化した視聴覚作品。急速に刷新されるパラダイムの様相に呼応すべく、諸対立を結びつける合一の象徴を主題とする。

絶え間なく無数の死と再生を反復する世界
物質世界の極限を象徴するとされる蛇
時代を支配する固定観念が臨界点に達した時
それを超越・超克する為に出現する愚者

原始と宇宙と身体
太陽と月と創造主
元型と真理と回帰
時間と空間と輪廻

共時性の摩訶不思議
永劫回帰の森羅万象

直線的に経過する時間軸
光と闇、偶然と必然、相対と絶対

メルクリウス、錬金術と無意識の第一質料

—Public Quotes—

“The illusionary could only be a play in the mind of an imaginary sea. The working truth is in the functioning of the perceived form. There’s humongous modelling and remodelling of shaping taking place to the spatial dance. The digital optical-sonic work helps imagine the snake dancing of the spatial bodies under the influence of a mysteriously rhythmic sound of Pungi. The feel is that of riding much to the edge of threshold, in the continued renewal of origination.”

– Anuradha Bansal (Curator) / Intl.Group Exhibition ‘Alternatespace’ @ Gallery ONKAF / New Delhi (IN), 2020